Born 1972 in Nairobi, Kenya
Lives and works in New York, USA

In collages, films, sculptures and installations Wangechi Mutu reflects on sexuality, femininity, ecology, politics, the rhythms and chaos of the world and our often damaging or futile efforts to control it. First recognised for paintings and collages concerned with the myriad forms of violence and misrepresentation visited upon women, especially black women, in the contemporary world, Mutu’s work has often featured writhing female forms. Their skin an eruption of buboes, mutant appendices like gun shafts or machine gears sprouting from the sockets of joints, their bodies half human, half hyena, they offer a glimpse at the perversions of the body and the mind wrought by forces active in the oppression of women. More recently, exploring and subverting cultural preconceptions of the female body and the feminine, in her works Mutu proposes worlds within worlds, populated by powerful hybridised female figures. Her practice has been described as engaging in her own unique form of myth-making, one in which the interweaving of fact with fiction opens up possibilities for another group of symbolic female characterisations, markedly different from those that appear in either classical history or popular culture. (Victoria Milo, London)

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